Alexis Soto
Engineering Leader working at the intersection of AI, software, and immersive audio.
Alexis Soto has hybrid background in software development and artist/industry relations. With a foundation in Music Production and Engineering from Berklee College of Music, he has built a career at the intersection of software innovation, AI, and immersive audio experiences. As a prior winner of the Tuition Assistance Scholarship from the Latin GRAMMY Cultural Foundation in 2016, 2017 and 2018, his work reflects a rare ability to connect technical breakthroughs with human creativity, making complex technologies both accessible and impactful.
As the co-founder of Lab Acoustics, Alexis has led the development of AI- and AR-powered tools that optimize room acoustics through real-time 3D visualization and cutting-edge performance enhancements. Under his leadership, the company has achieved early customer adoption and forged strategic partnerships with leading organizations and artists, including Spotify, Neon16, Tainy, Danny Ocean, Camilo and many others.
Prior to Lab Acoustics, Alexis worked with Native Instruments as Artist & Industry Relations manager for the LATAM region—an industry leader in audio software and hardware—where he bridged product innovation with the needs of creative communities, driving adoption across the U.S. and Latin America.
Alongside his engineering and leadership work, Alexis has performed as a percussionist and sound engineer with world-class artists such as Rauw Alejandro, Carlos Vives, Cazzu, Chino & Nacho, Maria Becerra, Pedrito Martinez, Nella, Michel Camilo, Paquito D’Rivera, and Miguel Bose. His skills led him to be part of GRAMMY nominee works, such as “El Paradise” by Los Amigos Invisibles in 2017.
A modern, practical take on the equilateral triangle — plus toe-in, height, and distance-from-wall basics.
Tight low end is a design problem. A simple guide to corners, rear walls, and the biggest myths.
A practical way to estimate starter quantities for home studios, theaters, and offices—without overbuying.
How we balance performance and visual restraint — so acoustic treatment feels like interior design, not an add-on.
A practical approach to first reflections, symmetry, and low-end control — without turning your room into foam.
